Театр абсурда
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Уже в конце 1950-х выражение "театр абсурда" превратилось в броское клише. Об этом Мартин Эсслин пишет на первой странице своей книги о новых путях театра. Этот фундаментальный труд, вышедший полвека назад и дополненный в последующих изданиях, актуален и сегодня. Театр абсурда противостоит некоммуникативному миру, в котором человек, оторван от традиционных религиозных и метафизических корней.
Труд Мартина Эсслина — научное изыскание и захватывающее чтение, классика жанра. Впервые переведенная на русский язык, книга предназначена практикам, теоретикам литературы и театра, студентам-гуманитариям, а также всем, кто интересуется современным искусством.
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BUZZATI, DINO
Un Caso Clinico, Commedia in 2 tempi e 13 quadri, Milan: Mondadori, 1953 (no. 85 in the series ‘La Medusa degli Italiani’)
Un Verne al Ministero, Turin: II Dramma, no. 283
D’ERRICO, EZIO
La Foresta, Turin: II Dramma, no. 278 1Tempo di Cavalette, Turin: II Dramma, no. 261
II Formicaio, stage ms.
ON d’bHRICO
trilling, ossia, ‘Ezio d’Errico — a new Pirandello?’, London: Theatre World, April 1958
BIBLIOGRAPHY
FRISCH, MAX
Biedemumn und die Brandstifter, Berlin and Frankfurt: Suhrkamp,
1958. This is the stage version, based on an earlier radio play, Herr Biedemumn und die Brandstifier, first broadcast by Bayrischer Rundfunk, Munich, 1953; published Hamburg: Hans Bredow Institut, sixth edition, 1959. (Stage version trans. by Michael Bullock, The Fire Raisers, in Three Plays, London: Methuen, 1962)
ON FRISCH
bXnziger, hans, Frisch und Diirrenmatt, Berne: Francke, i960 ziskoven, Wilhelm, ‘Max Frisch’, in Zur Interpretation des modemen Dramas (ed Rolf Geissler), Frankfurt: Diesterweg, i960 These two exhaustive studies also contain bibliographical data on Frisch’s numerous other plays which do not fall into the category of the Theatre of the Absurd.
GELBER, JACK
The Connection (with Introduction by Kenneth Tynan), New York: Grove Press, i960 The Apple, New York: Grove Press, 1961
GENET, JEAN PLAYS
Haute Surveillance, Paris: Gallimard, 1949 (trans. by B. Frechtman, Deathwatch, in The Maids/Deathwatch, New York: Grove Press, 1954; English edition, Deathwatch, London: Faber Faber, 1961) Les Bonnes, D6cines: L’Arbalfcte, 1948; a new edition, Les Bonnes, Les deux versions pricidies d’une lettre de Г auteur, containing the first version (as performed at the Аёпбе in 1946) and the revised version (as performed at the Theatre de la Huchette in 1954); the second version also reprinted in Les Bonnes-L’Atelier d’Alberto Giacometti, Dines: L’Arbalfete, 1958, further containing ‘L’enfant criminel’
BIBLIOGRAPHY GRASS, GONTER PLAYS
Die Bosen Koche, in Modemes deutsches Theater I, Neuwied: Luchterhand, 1961 Onkel, Onkel, Berlin: Wagenbach, 1965 Nodi zehn Minuten bis Buffalo, stage ms.
Zweiunddreissig Zahtte, Frankfurt: Suhrkamp, 1963 Hochwasser, stage ms.
Die Plebejer proben den Aufstand, Neuwied: Luchterhand, 1966
English translations
Four Plays, trans. Ralph Manhcim, London: Seeker Warburg, 1968, contains: Still Ten Minutes to Buffalo; Uncle, Uncle; The Flood; The Wicked Cooks.
The Plebeians Rehearse the Uprising, A German Tragedy, trans. by Ralph Manhcim, London: Seeker Warburg, 1967
OTHBB WRITINGS
Die Vorziige der WindUhner (poems and prose sketches), Neuwied: Luchterhand, 1956 Die Blechtrommel (novel), Neuwied: Luchterhand, 1959 (trans. by Ralph Manheim, The Tin Drum, London: Seeker Warburg, 1962*, Harmondsworth: Penguin Books, 1965)
Gleisdreieck (poems), Neuwied: Luchterhand, i960 Katz und Maus (novel), Neuwied: Luchterhand, 1961 (trans. by Ralph Manheim, Cat and Mouse, London: Seeker Warburg, 1963; Harmondsworth: Penguin Books, 1966)
Hundejahre (novel), Neuwied: Luchterhand, 1963 (trans. by Ralph Manheim, Dog Years, Lbndon: Seeker Warburg, 1965; Harr mondsworth: Penguin Books 1969)
Ausgefiagt (poems), Neuwied: Luchterhand, 1967 Selected Poems, trans. by Michael Hamburger and Christopher Middleton, have been published by Seeker Warburg, 1966; Harmondsworth: Penguin Books, 1969 Der Butt (novel) Neuwied: Luchterhand, 1977 (trans. by Ralph Manheim, The Flounder, London: Seeker Warburg, 1978)
BIBLIOGRAPHY GRASS, GONTER PLAYS
Die Bosen KSche, in Modemes deutsches Theater I, Neuwied: Luchterhand, 1961 Onkel, Onkel, Berlin: Wagenbach, 1965 Nock zehn Minuten bis Buffalo, stage ms.
Zweiunddreissig Zahne, Frankfurt: Suhrkamp, 1963 Hochwasser, stage ms.
Die Plebejer proben den AufsUmd, Neuwied: Luchterhand, 1966
English translations
Four Plays, trans. Ralph Manheim, London: Seeker Warburg, 1968, contains: Still Ten Minutes to Buffalo; Uncle, Uncle; The Flood; The Wicked Cooks.
The Plebeians Rehearse the Uprising, A German Tragedy, trans. by Ralph Manheim, London: Seeker Warburg, 1967
OTHER WRITINGS
Die Vorziige der Wmdahner (poems and prose sketches), Neuwied: Luchterhand, 1956 Die Blechtrommel (novel), Neuwied: Luchterhand, 1959 (trans. by Ralph Manheim, The Tin Drum, London: Seeker Warburg, 1962; Harmondsworth: Penguin Books, 196s)
Gleisdreieck (poems), Neuwied: Luchterhand, i960 Katz und Mans (novel), Neuwied: Luchterhand, 1961 (trans. by Ralph Manheim, Cat and Mouse, London: Seeker Warburg, 1963; Harajondsworth: Penguin Books, 1966)
Hmdejahre (novel), Neuwied: Luchterhand, 1963 (trans. by Ralph Manheim, Dog Years, London: Seeker Warburg, 1965; Harr mondsworth: Penguin Books 1969)
Ausgфagt (poems), Neuwied: Luchterhand, 1967 Selected Poems, trans. by Michael Hamburger and Christopher Middleton, have been published by Seeker Warburg, 1966; Harmondsworth: Penguin Books, 1969 Der Butt (novel) Neuwied: Luchterhand, 1977 (trans. by Ralph Manheim, The Flounder, London: Seeker Warburg, 15)78)
BIBLIOGRAPHY ON GRASS
tank, kurth lothar, Gunter Grass, Berlin: Colloquium, 1963
HAVEL, VACLAV
Protokoly (collected writings, including the two plays The Garden Party and The Memorandum), Prague: Mlada Fronta, 1966 (The Memorandum, trans. by Vera Blackwell, London: Cape, 1967)
HILDESHEIMER, WOLFGANG PLAYS
Spiele in denen es dunkel wird, Pfullingen: Neske, 1958, contains: Pastorale oder Die Zeit fiir Kakao, Landschaft mit Figuren, Die Uhren. Hildesheimer’s radio plays include: Das Ende kommt nie, Begegnung im Balleanexpress, Prinzessin Turandot (stage version, Der Drachenthron), An den Ufem der Plotinitza, Das Atelieifest, Die Bartschedelidee, Herm Walsers Raben.
OTHER WRITINGSS ‘Erlanger Rede iiber das absurde Theater’, Munich: Akzente, no. 6, i960
IONESCO, EUGENE
PLAYS
[for collected editions see p. 452]
La Cantatrice Chauve (written 1948, first performance 1950), in Thidtre I [Arcanes]; also in Thidtre I [Gallimard] (trans. by Donald M. Allen, The Bald Soprano, in Plays, vol. I [New York: Grove Press]; trans. by Donald Watson, The Bald Prima Donna, in Plays, vol. I [London: Calder])
LaLefon (written 1950, first performance 1951), in Theatre I [Arcanes]; also in ThiStre I [Gallimard] (trans. The Lesson, by Donald M.
BIBLIOGRAPHY
Allen in Plays, voL I [New Yode: Grove Press]; by Donald Watson in Plays, voL I [London: Calder], and in Penguin Plays, 1962) Jacques, ou La Soumission (written 1950, first performance 1955), in Thidtre I [Ar canes]; also in TheStre I [Gallimard] (trans. by Donald M. Allen, Jack or the Submission, in Plays, voL I [New York: Grove Press]; trans. by Donald Watson, Jacques or Obedience, in Plays, voL I [London: Calder])
Les Chaises (written 1951, first performance 1952), in Thidtre I [Gallimard] (trans., The Chairs, by Donald M. Allen in Plays, vol.
I [New York: Grove Press]; by Donald Watson in Plays, vol. I [London: Calder], and in Penguin Plays, 1962)
