Театр абсурда

Come and Go (English original) first published in Samuel Beckett, Aus einem aufgegebenen Werk und kurze Spiele (a collection of short prose works and plays in the original language and German trans.), Frankfurt: Suhrkamp, 1966 (no. 145 in ‘Edition Suhrkamp'); separate publication, London: Calder Boyars, 1967 Eh Joe and Other Writings, London: Faber Faber, 1967, contains Eh Joe, Act Without Words II, Film Breath and Other Shorts, London: Faber Faber, 1971, contains: Breath, Come and Go, Act Without Words I, Act Without Words II, From an Abandoned Work Not I, London: Faber Faber, 197З Footfalls, London: Faber Faber, 1976 That Time, London: Faber Faber, 1976

End and Odds. Plays and Sketches, London: Faber Faber, 1977. contains: Not I, That Time, Footfalls, Ghost Trio,… but the clouds …, Theatre I, Theatre II, Radio I, Radio II Film. Complete Scenario; Illustrations; Production shots, New York: Grove Press, 1969

NARRATIVE PROSE

More Pricks than Kicks, London: Chatto Windus, 1934; one story, ‘Dante and the lobster’, New York: Evergreen Review, I, I

BIBLIOGRAPHY

Murphy, London: Roudedge, 1938; new edition, New York: Grove Press, n.d.

Watt, Paris: Olympia Press, 1958 Molby, Paris: Editions de Minuit, 1951 Malone Meurt, Paris: Editions de Minuit, 1951 L’Innommable, Paris: Editions de Minuit, 1953 Three Novels, London: Calder, 1959. contains: Molloy, trans. by Patrick Bowles, Malone Dies and The Uniumable, trans. by author Nouvelles et Textes pour Riot, Paris: Editions de Minuit, 1955 (a story trans. by Richard Seaver and author, ‘The end’, New York: Evergreen Review, no. 15, November-December i960)

Text for Nothing I, trans. by author, New York: Evergreen Review, no. 9, Summer 1959 From an Abandoned Work, London: Faber Faber, 1957; New York: Evergreen Review, I, 3, 1957 Comment C’Est, Paris: Editions de Minuit, 1961 (trans. by author, How It Is, New York: Grove Press, 1964; London: Calder, 1964); an extract from an earlier version of this novel, ‘L’image’, London: X, no. 1, November 1959 (another extract trans. by author, ‘From an unabandoned work’, New York: Evergreen Review, no.

14, September-October i960)

Imagination Morte Imaginez, Paris: Editions de Minuit, 196J (trans.

by author, Imagination Dead Imagine, London: Calder, 1965) assez, Paris: Editions de Minuit, 1966 bing, Paris: Editions de Minuit, 1966

No's Knife, Collected Shorter Prose 1947–1966, London: Calder Boyars, 1967, contains: Stories, Texts fir Nothing, From an Abandoned Work, Enough, Imagination Dead Imagine, Ping Premier Amour, Paris: Editions de Minuit, 1970 Le Dipeupleur, Paris: Editions de Minuit, 1970 (trans. by author, The Lost Ones, London: Calder Boyars, 1972)

VERSE

Whoroscope, Paris: The Hours Press, 1930 Echo’s Bones, Paris: Europe Press, 1935 ‘ Trois poemes’, Paris: Cahiers des Saisons, no. 2, October 1955 Poems in English, London: Calder, 1961

BIBLIOGRAPHY

Gedichte (bilingual edition of Echo’s Bones followed by other poems in English and French, with German parallel translation), Wiesbaden: Limes, 1959

ESSAYS

Proust, London: Chatto Windus, 1931 (Dolphin series); reprinted New York: Grove Press, n.d.

Proust, Three Dialogues, London: Calder, 1965 ‘Dante … Bruno. Vico … Joyce’, in Our Exagmination round his Factification for Incamination of Work in Progress, Paris: Shakespeare

Co., 1929 Bram van Velde, New York: Grove Press, i960

ON BECKETT

abel, lionel, ‘Joyce the father, Beckett the son’, New York: The New Leader, 14 December 1959 BENXLBY, eric, What is Theatre? Boston: Beacon Press, 1956 calder, john (ed.), Beckett at Sixty (essays by 24 contributors), London: Calder Boyars, 1967 COE, richard n., Beckett, Edinburgh and London: Oliver Boyd, 1964 (in the series ‘ Writers and Critics’) cohn, ruby, Samuel Beckett: The Comic Gamut, New Brunswick, N.J.: Rutgers University Press, 1962

— Back to Beckett, Princeton, N. J.: Princeton University Press,

1973

— (ed.), Samuel Beckett. A Collection of Criticism, New York:

McGraw-Hill, 1975

— Play Beckett, Princeton, N.J.: Princeton University Press,

1979

ellman, richard, James Joyce, New York and London: Oxford University Press, 1959 esslin, martin, ‘Samuel Beckett’, in The Novelist as Philosopher, ed. John Cruickshank, London: Oxford University Press, 1962 esslin, martin (ed.), Samuel Beckett, A Collection of Critical Essays, Englewood Clifis, N.J.: Prentice-Hall, 1965 (in the series ‘Twentieth-Century Views ’) pederman, Raymond, Journey to Chaos, Samuel Beckett’s Early

BIBLIOGRAPHY

Fiction, Berkeley and Los Angeles: University of California Press,

1965

federman, Raymond and FLETCHER, john, Samuel Beckett: His Work and His Critics, An Essay in Bibliography, Berkeley and Los Angeles: University of California Press, 1970 fletcher, john, T "he Novels of Samuel Beckett, London: Cbatto Windus, 1964

— Samuel Beckett’s Art, London: Cbatto Windus, 1967

fletcher, john and SPURLiNG, john, Beckett. A Study of his Plays, London: Eyre Methuen, 1972

FLETCHER, JOHN; FLETCHER, BERYL S.; SMITH, BARRY; ВАСНЕМ,

Walter, A Student’s Guide to the Plays of Samuel Beckett, London: Faber Faber, 1978 friedman, M. j. (ed.), Samuel Beckett, Paris: Minard, 1964 (‘Configuration Critique’ no. 8) gessner, n., Die Unzulanglidikeit der Sprache, Zurich: Juris, 1957 ‘Godot gets around’, New York: Theatre Arts, July 1958 guggenheim, peggy, out of this century, the informal memoirs of peggy guggenheim, New York: the dials press, 1946

— Confessions of an Art Addict, London: Andrd Deutsch, i960

harvey, lawrencb в., Samuel Beckett. Poet and Critic, Princeton, N.J.: Princeton University Press, 1970 hobson, harold, ‘Samuel Beckett, dramatist of the year’, International Theatre Annual, no. 1, London: Calder, 1956 jacobsen, josbphinb and muller, william r., The Testament of Samuel Beckett, New York: Hill Wang, 1964 janvier, ludovic, Pour Samuel Beckett, Paris: Editions de Minuit,

1966

JOYCE, JAMES, Letters (ed. Stuart Gilbert), London: Faber Faber, 1957

KENNER, HUGH, Samuel Beckett, A Critical Study, New York: Grove Press, 1961; London: Calder, 1962

— The Stoic Comedians: Flaubert, Joyce and Beckett, London: W. H.

Allen, 1964

kern, edith, ‘Drama stripped for inaction: Beckett’s Godot’, Yale French Studies, no. 14, Winter 1954-5 levy, alan, ‘The long wait for Godot’, New York: Theatre Arts, August 1956

BIBLIOGRAPHY

мarissel, andre, Beckett, Paris: Editions Universitaires, 1963 mauriac, Claude, La Litthature Contemporaine, Paris: Albin Michel, 1958

melese, pierre, Beckett, Paris: Seghers, 1966 (in the series ‘Thtre de Tous les Temps’) mercier, vivian, BeckettIBeckett, New York: Oxford University Press, 1977

- ‘Messenger of Gloom’ (profile), London: Observer, 9 November

1958

metman, eva, ‘Reflections on Samuel Beckett’s plays’, London: Journal of Analytical Psychology, January i960

— San Quentin News, San Quentin, Cal., vol. XVII, no. 24, 28

November 1957

schneider, alan, ‘Waiting for Beckett’, New York: Chelsea Review, Autumn 1958 SCHOELL, konrad, Das Theater Samuel Becketts, Munich: Wilhelm Fink, 1967

scott, nathan a, Samuel Beckett, London: Bowes Bowes, 1^65 (in the series ‘Studies in Modern European Thought and Literature’)