Looking for Alaska
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Miles Halter is fascinated by famous last words and tired of his safe life at home. He leaves for boarding school to seek what the dying poet Francois Rabelais called the "Great Perhaps." Much awaits Miles at Culver Creek, including Alaska Young. Clever, funny, screwed-up, and dead sexy, Alaska will pull Miles into her labyrinth and catapult him into the Great Perhaps.
Looking for Alaskabrilliantly chronicles the indelible impact one life can have on another. A stunning debut, it marks John Green's arrival as an important new voice in contemporary fiction.
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"Right, well, I was busy coming up with the theory, which isn't terribly likely, admittedly, but it's plausible. So, listen. She kisses you. That night, someone calls. Jake, I imagine. They have a fight — about cheating or about something else — who knows. So she's upset, and she wants to go see him. She comes back to the room crying, and she tells us to help her get off campus. And she's freaked out, because, I don't know, let's say because if she can't go visit him, Jake will break up with her. That's just a hypothetical reason. So she gets off campus, drunk and all pissed off, and she's furious at herself over whatever it is, and she's driving along and sees the cop car and then in a flash everything comes together and the end to her labyrinthine mystery is staring her right in the face and she just does it, straight and fast, just aims at the cop car and never swerves, not because she's drunk but because she killed herself."
"That's ridiculous. She wasn't thinking about Jake or fighting with Jake. She was making out with me.I tried to bring up the whole Jake thing, but she just shushed me."
"So who called her?"
I kicked off my comforter and, my fist balled, smashed my hand against the wall with each syllable as I said, "I!
DON'T! KNOW! And you know what, it doesn't matter. She's dead. Is the brilliant Colonel going to figure out something that's gonna make her less freaking dead?" But it did matter, of course, which is why I kept pounding at our cinder-block walls and why the questions had floated beneath the surface for a week. Who'd called? What was wrong? Why did she leave? Jake had not gone to her funeral. Nor had he called us to say he was sorry, or to ask us what happened. He had just disappeared, and of course, I had wondered. I had wondered if she had any intention of keeping her promise that we would be continued. I had wondered who called, and why, and what made her so upset. But I'd rather wonder than get answers I couldn't live with.
"Maybe she was driving there to break up with Jake, then," the Colonel said, his voice suddenly edgeless. He sat down on the cornerof my bed.
"I don't know. I don't really want to know."
"Yeah, well," he said. "I want to know. Because if she knew what she was doing, Pudge, she made us accomplices.
And I hate her for that. I mean, God, look at us. We can't even talk to anyone anymore. So listen, I wrote out a game plan: One.Talk to eyewitnesses. Two.Figure out how drunk she was. Three.Figure out where she was going, and why."
"I don't want to talk to Jake," I said halfheartedly, already resigned to the Colonel's incessant planning. "If he knows, I definitely don't want to talk to him. And if he doesn't, I don't want to pretend like it didn't happen."
The Colonel stood up and sighed. "You know what, Pudge? I feel bad for you. I do. I know you kissed her, and I know you're broken up about it. But honestly, shut up. If Jake knows, you're not gonna make it any worse. And if he doesn't, he won't find out. So just stop worrying about your goddamned self for one minute and think about your dead friend. Sorry. Long day."
"It's fine," I said, pulling the covers back over my head. "It's fine," I repeated. And, whatever. It wasfine. It had to be. I couldn't afford to lose the Colonel.
thirteen days after
Because our main source of vehicular transportation was interred in Vine Station, Alabama, the Colonel and I were forced to walk to the Pelham Police Department to search for eyewitnesses. We left after eating dinner in the cafeteria, the night falling fast and early, and trudged up Highway 119 for a mile and a half before coming to a single-story stucco building situated between a Waffle House and a gas station.
Inside, a long desk that rose to the Colonel's solar plexus separated us from the police station proper, which seemed to consist of three uniformed officers sitting at three desks, all of them talking on the phone.
"I'm Alaska Young's brother," the Colonel announced brazenly.
"And I want to talk to the cop who saw her die."
A pale, thin man with a reddish blond beard spoke quickly into the phone and then hung up. "I seen 'er," he said.
"She hit mah cruiser."
"Can we talk to you outside?" the Colonel asked.
"Yup."
The cop grabbed a coat and walked toward us, and as he approached, I could see the blue veins through the translucent skin of his face. For a cop, he didn't seem to get out much. Once outside, the Colonel lit a cigarette.
"You nineteen?" the cop asked. In Alabama, you can get married at eighteen (fourteen with Mom and Dad's permission), but you have to be nineteen to smoke.
"So fine me. I just need to know what you saw."
"Ah most always work from six t' midnight, but I was coverin' the graveyard shift. We got a call 'bout a jackknifed truck, and I's only about a mile away, so I headed over, and I'd just pulled up. I's still in mah cruiser, and I seen out the corner a' my eye the headlights, and my lights was on and I turned the siren on, but the lights just kept comin' straight at me, son, and I got out quick and run off and she just barreled inta me. I seen plenty, but I ain't never seen that. She didn't tarn. She didn't brake. She jest hit it. I wa'n't more than ten feet from the cruiser when she hit it. I thought I'd die, but here ah am."
For the first time, the Colonel's theory seemed plausible. She didn't hear the siren?She didn't see the lights?She was sober enough to kiss well, I thought. Surely she was sober enough to swerve.
"Did you see her face before she hit the car? Was she asleep?" the Colonel asked.
"That I cain't tell ya. I didn't see 'er. There wa'n't much time."
"I understand. She was dead when you got to the car?" he asked.
"I–I did everything I could. Ah run right up to her, but the steerin' wheel — well, ah reached in there, thought if ah could git that steerin' wheel loose, but there weren't no gettin' her outta that car alive. It fairly well crushed her chest, see."
I winced at the image. "Did she say anything?" I asked.
"She was passed on, son," he said, shaking his head, and my last hope of last words faded.
"Do you think it was an accident?" the Colonel asked as I stood beside him, my shoulders slouching, wanting a cigarette but nervous to be as audacious as him.
"Ah been an officer here twenty-six years, and ah've seen more drunks than you'n count, and ah ain't never seen someone so drunk they cain't swerve. But ah don't know. The coroner said it was an accident, and maybe it was.
That ain't my field, y'know. I s'pose that's 'tween her and the Lord now."
"How drunk was she?" I asked. "Like, did they test her?"
"Yeah. Her BAL was point twenty-four. That's drunk, certainly. That's a powerful drunk."
"Was there anything in the car?" the Colonel asked. "Anything, like, unusual that you remember?"
"I remember them brochures from colleges — places in Maine and Ohia and Texas — I thought t' myself that girl must be from Culver Crick and that was mighty sad, see a girl like that lookin't' go t' college. That's a goddamned shame. And they's flowers. They was flowers in her backseat. Like, from a florist. Tulips."
Tulips? I thought immediately of the tulips Jake had sent her. "Were they white?" I asked.
"They sure was," the cop answered. Why would she have taken his tulips with her? But the cop wouldn't have an answer for that one.